Sandiegosymphony
Head Audio - Jacobs Music Center
Sandiegosymphony, San Diego, California, United States, 92154
The San Diego Symphony proudly operates two world-class venues in downtown San Diego: the Rady Shell at Jacobs Park, a newly opened state-of-the-art outdoor amphitheater, as well as the Jacobs Music Center, an indoor concert hall currently preparing to reopen to the public after extensive renovations. The San Diego Symphony has a full event schedule including orchestral performances, presented programming without orchestra, performances for rental clients, and private events.
If you want to know about the requirements for this role, read on for all the relevant information.Position Summary: The Audio Head reports to the Audio Director and oversees the Audio Department of the Jacobs Music Center within the context of the Collective Bargaining Agreements between San Diego Symphony Orchestra Association and IATSE Local 122. The Audio Head works on all productions, supervising the implementation, operation, and maintenance of audio equipment and leading crew members during load-ins, technical rehearsals, show runs, and loadouts. This position will provide San Diego Symphony patrons with the best possible audio listening experience by providing engineering services as assigned in addition to implementing day to day leadership and supervision of the union audio department. The Head Audio is accountable for the upkeep, functionality, and efficient operation of all house audio equipment and systems of the Jacobs Music Center.This is a union stage crew role. Any successful candidate will be required to join IATSE Local 122 and fulfill membership requirements.
Position Details: This is an hourly position (currently $41.39). The wages, conditions, and terms of which are governed by a Collective Bargaining Agreement with IATSE Local 122. It is expected that the successful candidate will make the San Diego Symphony his/her primary employment responsibility, and provide expertise, stability and continuity for our clients and organization.All Department Heads will perform necessary duties for the proper completion of performances. A Department Head may perform tasks in other areas without regard to departmental distinction; however, it is understood that these tasks shall not interfere with the safe and professional execution of their primary responsibilities to the Employer as a head of department.
RequirementsSupervisory Responsibilities: Directly supervises IATSE local 122 employees in the Audio department and carries out supervisory responsibilities in accordance with the organization's policies and applicable laws. Heads of Department are expected to anticipate department needs, follow through on projects and meet deadlines set by SDSOA Production Department, engage and motivate other crew to achieve agreed outcomes. As leaders, Heads of Department should have the ability to think ahead and be self-sufficient in assessing and completing required tasks, including setting priorities, anticipating potential challenges and multitasking. All heads have a responsibility to manage personnel safety and uphold safety protocols within the department, including participating in all required training.
Position Responsibilities:
Operate and maintain all in-house audio equipmentAssist audio director as neededMaintain recorded audio archivesCoordinate and communicate with other San Diego Symphony Audio heads for different venues as neededServe as system tech, monitor engineer, FOH engineer, deck audio, and other audio roles as assignedAssist with audio captures as neededSet up and operate portable audio systems where neededMaintain and monitor appropriate materials, equipment, and supplies as requiredPrepare and package equipment for RMA, including filing paperwork with vendorsCoordinate the audio department during load-in, performance, and load-out of all events and make sure the systems comply with both safety and aesthetics issuesDirect and supervise union stage employees in the audio departmentManage and plan audio load in and load outs as assignedManage and assist in audio advances for assigned showsAssess audio rentals as needed for assigned showsCreate necessary paperwork for shows and departmental needs.Ability to assist outside engineers and in-house mixing engineersDevelop and execute plans for future sound system upgrades and equipment purchasesTune and verify sound systems at a high levelOperate and troubleshoot backstage audio systemsMaintain, inspect and repair accurate inventory of audio equipment and suppliesFly large PA systems whether in-house equipment, tour equipment or rental equipmentWork with and communicate with other departments in the setting up of audio equipment for various eventsParticipate across production departments in planning and performing physical project workAssist in short and long-term maintenance schedulesOther duties as assigned
Skills & Experience:
Extensive knowledge of sound systems and their design, operation, and maintenanceKnowledge of acoustical principles and sound engineering terminology is necessaryKnowledge of electrical systems and how they interact with sound systemsMust have a keen ear to be able to listen to subtle problems in a sound system and be able to hear a wide spectrum of audio frequenciesAbility to quickly and accurately assess problems and resolve them effectively and efficientlyExcellent eye/hand coordination necessaryKnowledge of many types of microphones and their effective applicationCommunication and RF knowledge as it relates to audioUnderstanding of rigging, including ability to assist in or lead installation and maintenance of rigging systems for audioComputer skills for operation of audio control software and other computer applicationsNetworking knowledge as it relates to audio and audio equipmentKnowledge of industry-standard audio consoles and associated softwareAbility to work within the confines of the production schedule and meet deadlinesAbility to learn new audio and sound system equipment as industry standards changeAbility to adapt to a constantly changing work environment based on show and artist needsA passion for all types of music including classicalOSHA certified, and consistent attention to safety, including reporting hazardous or unsafe conditions to supervisorAble to solve practical problems, including those unforeseen, and deal with limited resources under tight timeframesAble to interpret a variety of instructions provided in writing, diagrams, and verballyAble to successfully interact with others both inside and outside the organizationAble to operate forklifts and man liftsAble to drive a 24' truck (preferred)Proficient with Email, Windows, Microsoft Office, Google Drive. Experience with drawing programs (CAD, Vectorworks) would be an advantageUnderstanding of and commitment to backstage etiquette, anticipate needs of musicians on stageAbility to multi-task and work effectively while managing multiple deadlines and prioritiesStrong interpersonal skills, with the ability to diplomatically and tactfully resolve difficult and sensitive situationsExceptional collaborative attitude and communication skills including exercising of diplomacy and respect and consideration for others
Personal Attributes:
Reliable and prompt attendance, including planning meetingsMust be available to work a schedule heavy in evening, weekend and holiday shiftsExcellent work ethic and commitment to continuous improvementStrong organizational skills, attention to detail, ability to retain information and carry out tasks consistentlyDemonstrate a positive attitude and work well with others including fellow stage crew and non-union staffExcellent oral and written communication skillsAbility to adapt to a constantly changing work environment based on show and artist needsAble to demonstrate patience, sensitivity and diplomacy when interacting with musicians of the San Diego Symphony and visiting artists and production staffFace demanding situations with calm, tact and diplomacy under pressureConstant dedication to personal and departmental improvementAbility to communicate and collaborate with people that are mixed across lines of differences such as race, gender-identity, sexual orientation, religion, ability, age, class, and immigrant status.Abide by all company rules and bylaws as detailed in the San Diego Symphony policies and procedures handbook
Physical Requirements: The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.Ability to stand for varying periods of time;The employee must regularly lift and/or move up to 50 pounds or moreCapable of working at elevated heights including climb ladders, operate personnel lifts, and walk on structural steel above the stageOperate stage equipment which could require lifting, pushing or pulling heavy objectsWhile performing the duties of this position, the employee is regularly required to sit and use hands to finger, handle, or feelThe employee is frequently required to reach with hands and arms and talk or hearThe employee is regularly required to stand, walk, lift, climb, push, pull, hang, reach, lean and balanceSpecific vision abilities required by this job include close vision and color vision
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If you want to know about the requirements for this role, read on for all the relevant information.Position Summary: The Audio Head reports to the Audio Director and oversees the Audio Department of the Jacobs Music Center within the context of the Collective Bargaining Agreements between San Diego Symphony Orchestra Association and IATSE Local 122. The Audio Head works on all productions, supervising the implementation, operation, and maintenance of audio equipment and leading crew members during load-ins, technical rehearsals, show runs, and loadouts. This position will provide San Diego Symphony patrons with the best possible audio listening experience by providing engineering services as assigned in addition to implementing day to day leadership and supervision of the union audio department. The Head Audio is accountable for the upkeep, functionality, and efficient operation of all house audio equipment and systems of the Jacobs Music Center.This is a union stage crew role. Any successful candidate will be required to join IATSE Local 122 and fulfill membership requirements.
Position Details: This is an hourly position (currently $41.39). The wages, conditions, and terms of which are governed by a Collective Bargaining Agreement with IATSE Local 122. It is expected that the successful candidate will make the San Diego Symphony his/her primary employment responsibility, and provide expertise, stability and continuity for our clients and organization.All Department Heads will perform necessary duties for the proper completion of performances. A Department Head may perform tasks in other areas without regard to departmental distinction; however, it is understood that these tasks shall not interfere with the safe and professional execution of their primary responsibilities to the Employer as a head of department.
RequirementsSupervisory Responsibilities: Directly supervises IATSE local 122 employees in the Audio department and carries out supervisory responsibilities in accordance with the organization's policies and applicable laws. Heads of Department are expected to anticipate department needs, follow through on projects and meet deadlines set by SDSOA Production Department, engage and motivate other crew to achieve agreed outcomes. As leaders, Heads of Department should have the ability to think ahead and be self-sufficient in assessing and completing required tasks, including setting priorities, anticipating potential challenges and multitasking. All heads have a responsibility to manage personnel safety and uphold safety protocols within the department, including participating in all required training.
Position Responsibilities:
Operate and maintain all in-house audio equipmentAssist audio director as neededMaintain recorded audio archivesCoordinate and communicate with other San Diego Symphony Audio heads for different venues as neededServe as system tech, monitor engineer, FOH engineer, deck audio, and other audio roles as assignedAssist with audio captures as neededSet up and operate portable audio systems where neededMaintain and monitor appropriate materials, equipment, and supplies as requiredPrepare and package equipment for RMA, including filing paperwork with vendorsCoordinate the audio department during load-in, performance, and load-out of all events and make sure the systems comply with both safety and aesthetics issuesDirect and supervise union stage employees in the audio departmentManage and plan audio load in and load outs as assignedManage and assist in audio advances for assigned showsAssess audio rentals as needed for assigned showsCreate necessary paperwork for shows and departmental needs.Ability to assist outside engineers and in-house mixing engineersDevelop and execute plans for future sound system upgrades and equipment purchasesTune and verify sound systems at a high levelOperate and troubleshoot backstage audio systemsMaintain, inspect and repair accurate inventory of audio equipment and suppliesFly large PA systems whether in-house equipment, tour equipment or rental equipmentWork with and communicate with other departments in the setting up of audio equipment for various eventsParticipate across production departments in planning and performing physical project workAssist in short and long-term maintenance schedulesOther duties as assigned
Skills & Experience:
Extensive knowledge of sound systems and their design, operation, and maintenanceKnowledge of acoustical principles and sound engineering terminology is necessaryKnowledge of electrical systems and how they interact with sound systemsMust have a keen ear to be able to listen to subtle problems in a sound system and be able to hear a wide spectrum of audio frequenciesAbility to quickly and accurately assess problems and resolve them effectively and efficientlyExcellent eye/hand coordination necessaryKnowledge of many types of microphones and their effective applicationCommunication and RF knowledge as it relates to audioUnderstanding of rigging, including ability to assist in or lead installation and maintenance of rigging systems for audioComputer skills for operation of audio control software and other computer applicationsNetworking knowledge as it relates to audio and audio equipmentKnowledge of industry-standard audio consoles and associated softwareAbility to work within the confines of the production schedule and meet deadlinesAbility to learn new audio and sound system equipment as industry standards changeAbility to adapt to a constantly changing work environment based on show and artist needsA passion for all types of music including classicalOSHA certified, and consistent attention to safety, including reporting hazardous or unsafe conditions to supervisorAble to solve practical problems, including those unforeseen, and deal with limited resources under tight timeframesAble to interpret a variety of instructions provided in writing, diagrams, and verballyAble to successfully interact with others both inside and outside the organizationAble to operate forklifts and man liftsAble to drive a 24' truck (preferred)Proficient with Email, Windows, Microsoft Office, Google Drive. Experience with drawing programs (CAD, Vectorworks) would be an advantageUnderstanding of and commitment to backstage etiquette, anticipate needs of musicians on stageAbility to multi-task and work effectively while managing multiple deadlines and prioritiesStrong interpersonal skills, with the ability to diplomatically and tactfully resolve difficult and sensitive situationsExceptional collaborative attitude and communication skills including exercising of diplomacy and respect and consideration for others
Personal Attributes:
Reliable and prompt attendance, including planning meetingsMust be available to work a schedule heavy in evening, weekend and holiday shiftsExcellent work ethic and commitment to continuous improvementStrong organizational skills, attention to detail, ability to retain information and carry out tasks consistentlyDemonstrate a positive attitude and work well with others including fellow stage crew and non-union staffExcellent oral and written communication skillsAbility to adapt to a constantly changing work environment based on show and artist needsAble to demonstrate patience, sensitivity and diplomacy when interacting with musicians of the San Diego Symphony and visiting artists and production staffFace demanding situations with calm, tact and diplomacy under pressureConstant dedication to personal and departmental improvementAbility to communicate and collaborate with people that are mixed across lines of differences such as race, gender-identity, sexual orientation, religion, ability, age, class, and immigrant status.Abide by all company rules and bylaws as detailed in the San Diego Symphony policies and procedures handbook
Physical Requirements: The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.Ability to stand for varying periods of time;The employee must regularly lift and/or move up to 50 pounds or moreCapable of working at elevated heights including climb ladders, operate personnel lifts, and walk on structural steel above the stageOperate stage equipment which could require lifting, pushing or pulling heavy objectsWhile performing the duties of this position, the employee is regularly required to sit and use hands to finger, handle, or feelThe employee is frequently required to reach with hands and arms and talk or hearThe employee is regularly required to stand, walk, lift, climb, push, pull, hang, reach, lean and balanceSpecific vision abilities required by this job include close vision and color vision
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