Artist Review: Kevin Borland – “Talking To Dead People” Album
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Overview
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Overview
Kevin Borland
started making his impact in the music world with his 2016 debut album
‘Harbor City Meltdown’ , a record that handsomely boasts his artistically progressive pop/alternative rock signature sound with a stylization that is original and dynamic. Tackling the realm of music with many successful releases under his belt over many years,
Borland
has a true knack and passion for being a composer/solo artist with several crucial influences from industry heavyweights like David Bowie, Peter Gabriel, as well as guitar pioneer Steve Vai.Consistently putting out an array of notable releases since his debut in 2016,
Borland
has manifested into a thriving and rising solo artist, upping the ante with every record in terms of catchiness, coherence, creativity and originality. And this is heavily apparent with his newest album
‘Talking To Dead People’ , a 15-track juggernaut that brings
Borland ’s colorful musical landscapes into to the forefront with cohesively catchy guitar riffs, progressive keyboard measures and melody-driven vocals fused together with well thought out lyrical themes. The track
“Spoon Without a Fork”
is a good example of this. With an unwavering groove from start to finish at the helm of this song, this track’s bass lines really tighten up the rhythm section in a way that drives the song in a dynamic direction alongside the story-telling narrative of
Borland ’s vocals. Topping the flavors off with prog/rock-style single-picking guitar riffs, this song is a standout of the album with its innovative verses and dangerously catchy chorus alongside all of the layers this song peels back as it plays out. If this is your first time hearing
Kevin Borland , then this song will leave you with an insatiably unforgettable impression.Another notable track on this record is the synth-driven
“Autographed Picture of a Robot Dog” , a more jam band kind of approach with a gritty, bluesy rotund low end carrying an ominous melody that reminds you of the London nightlife. This song is anthemic, atmospheric and continues to demonstrate
Borland ’s inventive lyrical narratives – giving this song a distinctive edge that is sharp, witty and altogether innovative. Every part of this song is put together very diligently, especially the background vocal layers in the chorus that really give the entirety of this song’s melody an enhancement of compliments and style. It’s a brilliant listen from beginning to end and really solidifies the album’s overall tone.One other song that really stands out on this record is closing track
“No Love in the USA” , a more upbeat track with cruising tempos, diligently paralleled keys and guitars, and a big chorus that encompasses an anthemic arena of catchiness. This crafty closeout song not only wraps the record up with a shiny bow on top, but also entices you to start the record over again and do a deeper dive into
Kevin Borland ’s discography altogether. One thing this album has especially is multi genre approaches without crossing into absurd genre-mixing territories. It’s not some experimental craziness, it’s a diligently-composed and brilliantly themed collection of songs with crafty thought provoking lyrics that implement artistic outbursts of spoken word measures that really lend to the theming aspects of each song – coherently showcasing a signature sound that’s not only effective, but innovative in its execution as well. The attention to detail is amazing not only in terms of writing, but the performance factor as well. The production value is on point and doesn’t outdo itself in any way throughout the record’s duration. All in all,
‘Talking to Dead People’
is hands down
Kevin Borland ’s best release effort yet and will definitely hold a high regard upon those giving him a first listen. Those who are just discovering him will especially be impressed and will likely find enticement to go down the rabbit hole of
Borland ’s past releases, as well as pay close attention to the prospect of future ones as well. This album will not (and does not) disappoint in the slightest.
‘Talking to Dead People’
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